Paramporul Movie Review – Sarath Kumar, known for his role in “Por Thozhil,” is set to make a comeback as a police officer in Aravind Raj’s latest film, “Paramporul.” However, this time, there is a surprising twist to his character. In a departure from his typical honest and emotionally charged characters, the talented actor takes on a new role as a conceited officer motivated by insatiable greed. The film’s unique angle adds intrigue and captivates the audience, ensuring their continued engagement throughout. Paramporul may have a clumsy start, but the second half of the film skillfully ties up all the loose ends, resulting in a captivating and satisfying overall experience.
In the opening scenes, the film immerses us in a captivating realm of illegal idol trafficking. Introducing Mythreyan (played by Sarath Kumar), a determined police officer whose ultimate goal is to amass wealth and enjoy a peaceful retirement. However, his unwavering determination not only leads to the breakdown of his marriage but also entices him to delve into the world of idol trading. In a surprising turn of events, fate leads Aadhi (played by Amitash Pradhan), a young individual with ties to an art gallery owner connected to influential figures in the industry, to become entangled in the trade. As a result, he finds himself under their control.
In a desperate bid to secure funds for his sister’s life-saving treatment, Aadhi forms an alliance with Mythreyan to engage in illicit activities. This partnership is driven by their urgent need for financial assistance. He assists in the sale of a Buddha idol that is believed to be an ancient relic with significant historical value. However, accomplishing this task is not as simple as they may believe. Will both of them achieve success in their mission, or will their efforts only reveal a deeper truth that has been concealed for many years?
Paramporul stands out in the realm of Tamil cinema with its captivating storytelling and well-crafted narrative. While idol trading has become a common theme in the industry, this film sets itself apart with its compelling writing. The storyline keeps the audience engaged and enthralled throughout, making it a must-watch for fans of the genre. Unlike the usual focus on gang conflicts and homicides, the director explores the complexities and dangers involved in the trade.
In addition, the climactic sequence in the story takes an unexpected turn, defying the audience’s expectations and introducing an intriguing element. However, while this twist adds intrigue to the film, it also serves as its drawback. The narrative takes a turn towards a revenge-driven plot, ultimately undermining the innovative structure that had been upheld thus far.
Watching Sarathkumar portray a grey shade cop role is truly refreshing. However, the way the character’s story concludes lacks conviction. The writer missed an opportunity to enhance Mythreyan’s strength, particularly during the climax of the story. Both Sarathkumar and Amitash have delivered exceptional performances. Kashmira, who portrays a sculpture, and Amitash’s romantic counterpart, have also delivered commendable performances. The second half of the film features some enjoyable scenes with Balaji Shakthivel, Sarathkumar, and Amitash. The background score composed by Yuvan Shankar Raja is perfectly suited for the film and effectively enhances key scenes.
Paramporul is a captivating and immersive journey into the realm of underground commerce, providing audiences with a one-of-a-kind encounter. With just a little more effort, the film could have reached a whole new level of excellence.